Thursday, June 9, 2011

Vampires Los Muertos Will Turn You Into A Mindless Zombie (Guaranteed)

I find it quite amazing that a movie made in 2002, Vampires Los Muertos, would look so much like The Hardy Boys television series filmed twenty years earlier. Not much seems to have improved since then in the way this low-budget action-flick was shot, directed or edited. In fact, many of the lines and scenes presented are so 1980's (lame) that I give it credit purely for having such an ominous groan factor. (I wouldn't be surprised if you end up laughing out loud if you have the stamina and desire to watch it.)

HUGE GROAN FACTOR
:

The movie is full of incredibly lame scenes and overused movie lines. Here are a few examples:
  • "Anybody who wants to make a run for it now would be a good time."
  • "It's a trap"
  • Hydraulic wench repeatedly gets jammed but the vampire hunters insist on using it until their stupidity proves so very frustrating the movie becomes funny (and it's supposed to be a horror film).

    EVEN MORE LAME: 
    Main character Derek Bliss (Jon Bon Joviquestions his rag-tag crew of vampire-hunters about what motivates them to hunt. Then, as he continues standing before them looking stupid he admits: "Me? I'm a dumb son-of-a-bitch who'd rather be surfing." 

    BASIC STORY: Pretty boy Derek
    travels with a side-kick Spanish teen (don't recognize his name/face), and an attractive woman named Zoey (Natasha Wagner) whose vampire-bitten but who who takes pills to stave off her blood thirst. Along with those three is a hot-looking priest/vampire-hunter, Father Rodriguez (Cristián de la Fuente). The four pick up a token black male (Darius McCrarybut his rough-and-tough character doesn't last long before a sexy vampire woo's him and he's turned "blood sucker" and then killed by his traveling companions.  So the four primary vampire hunters continue traveling in a rickety old bus they borrowed from a monastery called "MT Grace" in search for vampires but Zoey loses her "stay human" pills and begins to turn vampire enroute.


    IN THIS MOVIE, VAMPIRES (including one intensely beautiful vampire who won't die, played by 
    Arly Jover)
    * Kill for pleasure and amusement
  • Move faster than a projected bullet
  • Often drink blood AFTER the human has been decapitated/murdered (is fully dead)
  • Hang dying humans from hooks like hogs from the slaughter
  • Burst into flames when exposed to sunlight
  • Have retractable fangs and dark rings around their retinas
  • Can be roped like a steer and dragged into the sunlight where they explode in fire
  • Are killed by sunlight, beheading and/or a wooden stake driven into the heart

    CONCLUSION: All in all? I'd probably recommend that my readers stay away from this one (if I wasn't so brain-dead after watching it, myself). That is unless of course you really enjoy low-budget films that make you groan mindlessly just like a zombie (as I just did).

    The grossest scene (as I saw it) involved a vampire slowly yanking on a victim's tongue before her fangs elongated and that's when she killed him  - through his open mouth. There's one sex scene where it's strongly implied that one of the hunters receives an oral favor and that's where he is bitten (on his unmentionables).

    Director and writer: Tommy Lee Wallace

Wednesday, June 8, 2011

Breaking Dawn : film poster and movie trailer

Over at the lovely Bookshelves of Doom, I discovered the first Breaking Dawn movie teaser poster.

Yup.  That's all folks.  No brooding vampires or werewolves, no brooding/angsty Bella.  Guess they're relying on the font and title then?  I wonder if the book cover designer who chose this font for Twilight got the pat on the back they deserve for such a distinctive font (and that iconic hands/apple cover)?

I will be interested to see what the reaction is from the kids.

They'll be keen to see this...



http://www.youtube.com/watch?v=QbPxK5Zj9J4
if the above doesn't work for you.

The books have hardly budged this year, or most of last - borrowed here and there, but it seems as though most who want to read them have, (and more primary age kids have read them than was the case when they were new, so we haven't had new Year 7's leaping on them as we did a couple of years ago), others have seen the films so far and are happy with consumption of the story, and lots of kids, I'd guess, own them to read as and when they wish.  Still, Twilight and its sequels got a lot of kids reading, and they've been a useful springboard/marketing device.

Found the trailer via Twitter.

Cheers

Ruth

Tuesday, June 7, 2011

GIFSL* 66: Requests (made public) (+ Eragon, book 4)

(Two years ago)

Miss, I want to reserve Eragon book 4
Um, as far as I know it's not written yet - ?
No, it isn't.
So is he going to write it, do you know?
Probably.  Maybe.  I hope so.
Well...
I'd really like to reserve it, Miss.
OK then...

The kids know I have a collection of requests on post-t notes on a laminated sheet in my office .  This is what it looks like pretty much all the time:



It's very much in plain sight, where the kids can see it and I can too.  When a book has been requested and ordered, if it's orderable; Eragon book 4 clearly wasn't) it goes onto a post-it note with the kid's name and goes on here (the white sheet was a rather long list a kid brought in with her).  When the book comes in, we marry it up with the note and the kid/s on the list get to borrow it first.

It's also really effective (in terms of me remembering and in terms of the kid making the request feeling nicely important and valued) to, if you can, ring your wonderful local independent bookshop at lunchtime while the kid is there, to ask them to get in/put aside a copy of this title.  Kids have this happy shine when what they want is treated this way - it's good library PR too. 

I put a lot of my orders through a wonderful local independent bookshop - they know their stuff, especially with young adult fiction, and are fabulously helpful.  And it puts money back into the local area's economy.  And they put up with lunchtime phone calls when I order a single book or two at a time; so the kids also are alerted to a wonderful local helpful bookshop, which is not a bad thing either.

So cut to this week.  Same kid, two years taller, two years older (but still at school.  I'd kinda begun to wonder if he'd still be at school when Christopher Paolini got around to writing book 4....) bounces into my office with a happy smile on his face:

MISS!
Yes?
ERAGON BOOK 4!
Yup, I know, that post-it note is still there...
It's coming out in November!
What, he's written it?
YES!
Really?  Wow.

We look it up.  He has. It will.



The happy life of teacher librarians: wishes do come true.

Cheers

Ruth

Monday, June 6, 2011

"HIDE AND SEEK" (Great 2005 Horror Movie On DVD)

As usual, this review posts no spoilers. If you liked Sixth Sense ... you'll love this one! 
Robert De Niro plays 
Dr. Callaway, a very patient man and mental health therapist whose recently widowed. He wants to help his grade-school-aged daughter Emily (Dakota Fanning) put her life back together, after the child found her beautiful and loving mother bled-out in the family bathtub. So, Dr. Callaway relocates with Emily to a wooded and remote home in the country.
Famke Janssen plays a supporive role as a child psychologist and Dr. Callaway's understudy and academic admirer. She also tries to help Emily overcome pain from the trauma and loss. It's clear that Emily really loves and trusts Janssen's character while Dr. Callaway also confides in her.

Meanwhile, soon as Dr. Callaway and Emily settle into their new home all sorts of horrific things begin to happen and beyond feeling as though the house may be haunted, I began to grow wary of this little girl since Dr. Callaway discovered a dead cat in new bathtub and horribly evil things written in Emily's penmanship and the cat's blood all over the walls. 
Interestingly, Emily blames such mayhem on her seemingly invisible friend named Charlie (and that's where the mystery in this movie really begins).
Nosey neighbors and a small town cop play major roles in how the story unfolds. Dr. Callaway works overtime to hide criminal evidence and washes away details that might land his daughter in an insane asylum forever.

While there are no vampires, this horror film offers a lot of blood, mystery and wonderful creepy intrigue. The best part? It has a compelling twist at the end that will take viewers by wonderful surprise.

Director:
John Polson
Writer: Ari Schlossberg


*Vampire Review is published by SunTiger MOJO*

GIFSL* 65: from top stand-up comedians. Yes, really!

Color your World
Photo used under a Creative Commons license

I am happy to get ideas and inspiration from wherever I can find them, and so clicked through on a Twitter link to read Michael Bierut's design column on Seven Things Designers Can Learn From Stand Up Comics.

What did I find?  Seven things teacher librarians re-imagining their libraries and looking for design ideas and inspiration and all sorts of things can learn from stand up comics.  Really truly.

This is the brief version, with my own comments. 

  1. It's all about the basics.  Librarywise, stuff being shelved and findable.  A welcoming, helpful atmosphere and friendly staaff.  A library that encourages and inspires.  Resources and services that the kids want and need.  You know.  So do the kids
  2. Once you've mastered the basics, make the work your own.  Every school library, like every classroom, bears the stamp of the personality of the teacher/teacher librarian in charge of it and responsible for it.  The art and science of teaching is a juggle of personality and knowledge and human relations and all sorts of other alchemies.  I know, in another library space, that I wouldn't do exactly what I have done at my present school.  I know that another teacher librarian, in my current library, wouldn't do things the same either.  It's not about better or worse, but different.  Playing to your strengths, with the goal of making it as effective as you can for the kids.
  3. Respect your audience.  That's kids, and teachers, and parents.  Kids, because sometimes they're so easy to respect, and sometimes difficult to respect: although I have found that exquisite, courteous interest from a teacher librarian can completely discombobulate a noxious student, opening the way to achieving a positive outcome for both.  Teachers can be irritating (late and lost resources, forgotten bookings etc) but like anything, there's a story both sides (teacher librarians can be irritating too: let me count the ways...or not; you know).  I'm not keen on a them and us mentality.  It's us, all teachers (whether teacher librarians or other classroom teachers) working together.
  4. Know your tools.  The standard stuff - cataloguing and other organisational tools.  The teaching tools - methods and strategies and ideas.  More resources in print and digital form and more than we have ever had before.  The tools of character and style - patience, interest in kids, enthusiasm... We have a huge toolkit, as big and Tardis-like as the mother's bag in the Swiss Family Robinson (I've never forgotten that - whatever they needed, she'd popped in that sailcloth bag before the shipwreck).
  5. Honour your craft.  Work hard, create challenges for yourself, aim to never coast and always improve.  Use your personal learning network, your willingness to be a lifelong learner hunting out new ideas from blogs, Twitter, email lists, the media, anywhere you can. 
  6. Don't be afraid of failure.  Not everything I try works out.  Last week I planned an exciting lesson and realistically, on reviewing how it went, would barely give myself a pass grade.  And a prac teacher watched it.  So, why didn't it work as well as I'd planned and hoped?  How can I do better?  If we don't model coping with failure, valuing failure, using it as a launch pad, how can we expect kids to learn how important it is, learn to be resilient, learn to be brave?
  7. Finally, never forget you have a special giftHow much fun is it to work in a school library?  Huge fun!  Barack Obama in a speech to librarians some years ago, talked about libraries as being a magic threshold.  We not only get to cross that magic threshold each day, we get to influence the experience of everyone who crosses it too.  Teaching is an amazing gift - that alchemy when it works, the pleasure of the company of so many different, engaging personalities and dreams and ideas.  Lucky lucky lucky (as I remind myself on the days when I end up tired and dispirited; because tomorrow is another day, and plenty of good things happen even on the tough days).
Click on to read the article in full here, with Michael Bierut's designer observations rather than my teacher librarianish ones:
http://observersroom.designobserver.com/oblog/post/seven-things-designers-can-learn-from-stand-up-comics/27038/

Cheers

Ruth

*GIFSL= good ideas for school libraries.  An ongoing series on this blog.  Find more of them by clicking here.

The happy life of teacher librarians: should you argue with me?

NO
Used under a Creative Commons license. 

I was having a discussion with an argumentative Year 7 boy this afternoon about some work he needed to do. Maintaining my cool and staying amused. He didn't want to work, and kept arguing.   The word "No" was implicit in what he was saying.

I stopped a couple of seniors walking past from the senior study in the library. "Will he win if he keeps arguing with me?" I enquired cheerfully.

They turned to the boy and instantly said, "NO! You won't!".

And we all laughed, and they went on their way, and the discussion with the boy was able to become a conversation, and some progress with his work was possible.

Teaching is made up of so many small, momentary transactions, and human moments, and funny moments every day.

The happy life of teacher librarians: discussions are fine, but think carefully before you argue with me!

Cheers

Ruth

I don't own this Tshirt, but maybe it could be rather fun (until I got caught out at something I really don't know!!)


It's from this shop on Cafe Press:
http://www.cafepress.com.au/+i_am_a_librarian_womens_dark_tshirt,339317322
And there are lots more librarian T shirts you might like offered by a multitude of folks with Cafe Press shops.  Try searching on 'librarian'. 

One of the English teachers pointed me in the direction of this - said it reminded her of me.  Very kind!

Sunday, June 5, 2011

The story of a Twitter hashtag: #YAsaves (in defence of young adult literature)

So yesterday I'm pootling through my Twitter stream, as you do, and read this:

Just now reading this @wsj piece on YA books. Awful. http://t.co/w485J0I Glad @neilhimself has joined the rebuttal.

(note: for the sake of brevity I've edited the tweets quoted here so they're just the tweet without the tweeter or time/date stamp; you can find the original tweets on Twitter, all but one at #YAsaves).  Tweets are in red. (there are a LOT of links in this post, and I was having trouble with the html on one (couldn't work out which one among so many). I 've reformatted this blog post so for now you'll have to cut and paste the links within the tweets rather than clicking through. Figured I'd rather have this published and readable and useful than have it saved as a draft while I finetoothcomb the html, which I ain't got time to do right now! You have got the article and hashtag link hyperlinked.)


What? I wonder. WSJ is the Wall St Journal (in which I've read a bunch of interesting articles before). @neilhimself is the Twitter username of author Neil Gaiman, who you might remember weighed in on the side of the angels in the recent interrogations of teacher librarians in Los Angeles. If he's rebutting this article... and there's a link to follow, so I follow it.

The article is "Darkness Too Visible : Contemporary fiction for teens is rife with explicit abuse, violence and depravity. Why is this considered a good idea?" by Meghan Cox Gurdon. Here is an extract:

How dark is contemporary fiction for teens? Darker than when you were a child, my dear: So dark that kidnapping and pederasty and incest and brutal beatings are now just part of the run of things in novels directed, broadly speaking, at children from the ages of 12 to 18.


Pathologies that went undescribed in print 40 years ago, that were still only sparingly outlined a generation ago, are now spelled out in stomach-clenching detail. Profanity that would get a song or movie branded with a parental warning is, in young-adult novels, so commonplace that most reviewers do not even remark upon it.

If books show us the world, teen fiction can be like a hall of fun-house mirrors, constantly reflecting back hideously distorted portrayals of what life is. There are of course exceptions, but a careless young reader—or one who seeks out depravity—will find himself surrounded by images not of joy or beauty but of damage, brutality and losses of the most horrendous kinds.

Now, whether you care if adolescents spend their time immersed in ugliness probably depends on your philosophical outlook. Reading about homicide doesn't turn a man into a murderer; reading about cheating on exams won't make a kid break the honor code. But the calculus that many parents make is less crude than that: It has to do with a child's happiness, moral development and tenderness of heart. Entertainment does not merely gratify taste, after all, but creates it.



If you think it matters what is inside a young person's mind, surely it is of consequence what he reads. This is an old dialectic—purity vs. despoliation, virtue vs. smut—but for families with teenagers, it is also everlastingly new. Adolescence is brief; it comes to each of us only once, so whether the debate has raged for eons doesn't, on a personal level, really signify.

It didn't take long for this discussion to take off on Twitter, and the hashtag which emerged to tag tweets about this was #YAsaves. If you're a teacher librarian reading this (or a librarian), then you'll know what a subject heading is. If you're a library user, you've used them. On Twitter, hashtags help you follow conversations and discussions and topics. Some examples: #austl for tweets of interest to Australian teacher librarians; #YAlit for young adult literature; #tlchat for teacher librarian topics generally, and also scheduled teacher librarian chat sessions on Twitter. And so on. Anyone can invent a hashtag, and sometimes people use them for fun (#sorightnowihavehadenuf).


OK, back to our controversial article. Within minutes, this was in my Twitter stream:

follow #YAsaves for some amazing stories about how books change kids' lives, in response to a negative @wsj article about teen fiction.

There's the hashtag, to facilitate the discussion. @YAsaves.

The tweets started coming thick and fast (and while every tweet tagged with #YAsaves would be findable with that tag, remember that all I get in my Twitter stream are tweets from people I follow and tweets they have retweeted, which are signified by RT or via).

As the discussion matured, it travelled from initial reaction to analysis:

RT @NovelNovice: Staffer Steph responds to @WSJ attack on YA: RT @Steph_Lawton: A dissection of the latest att… (cont) http://deck.ly/~YS59J

And the Wall St Journal was paying attention, as any business using social media should; interactive, dynamic communication is what it's about. I was dipping in and out of Twitter during the day, so while I do follow @WSJ, I find out about their response from a RT (their tweet was retweeted by someone else I follow):

RT @WSJ: We hear your tweets about this YA review: http://on.wsj.com/mD7f7Y Comments welcome on Facebook, too: http://fb.me/wsj cc

A lot of tweets were individuals commenting on how important particular YA books were to them, how important it was/is to them to have books of all sorts and topics and themes to read. The discussion was a blend of personal stories, perspectives on censorship and more. Authors were weighing in to the discussion:

If you haven't seen them all together, here are @libbabray's (awesome) tweets defending YA fiction: http://bit.ly/krRKfG

How big was this discussion getting? From another tweet:

Guess what? #YAsaves is now the third highest trending topic in the US. That took all of about 20 minutes. Get it, @wsj? Book banners?

That tweet was twelve minutes after the very first tweet I quoted at the start of this blog entry. Shows how fast the impact of a topic can be on Twitter, and also how many people are passionate about young adult literature.

Author Holly Black wrote this:

Honestly, @wsj, do you think we just make this stuff up? The darkest parts of many of my books came directly from my teenage life. #yasaves

From author Scott Westerfeld:

You guys on #YAsaves are all so awesome. Seriously, I can't imagine a better bunch of people to work for.

and from author Justine Larbalestier:

#yasaves is trending world wide. @libbabray; @maureenjohnson started something incredible @wsj claims 2 be listening. Wow.

The Wall St Journal was indeed still paying attention - this is a mere 64 minutes after that first tweet I quoted:

What young-adult fiction means to you: a selection of touching #YAsaves tweets http://bit.ly/myZFgt (Scroll with arrow keys.)

This opinion made me chuckle. I know kids who'd agree!

And sometimes teens just need a freakin' awesome vampire/demon/werewolf/fallen angel/ghost/love story/dystopian. OKAY??? #YAsaves @wsj

And here's a quote I'll have to save for future use in other situations...(as well as another link to follow related to this #YAsaves discussion):

"Books are, at their heart, dangerous." by @wsj (featuring @libbabray) http://t.co/AVoxOtZ

The discussion goes on: I had lots of other things to do yesterday, so was only dipping into Twitter from time to time.

If you go to look at the #YAsaves discussion on Twitter, be aware that the downside of a trending (popular) topic is that the bots and spammers and rubbishfolk get onto it. If some of the tweets listed under this hashtag look like gobbledegook, ignore them - they are rubbish - and scroll down through the list to the relevant ones.

I'm sure this discussion isn't over. It will flow on into blog entries (for example, like the one you're reading now, and I'm sure many many more) and other commentary. The tweets I've used here were written over less than two hours, and demonstrate the dynamic and exciting possibilities of microblogging (140 characters max per tweet? Plenty!) and its immediacy. I didn't contribute to the discussion (then: guess I am now!), just watched and read and followed links and considered the issues, all relevant and important to teacher librarians.

Cheers

Ruth

Have I persuaded you yet of the educational value of Twitter for teachers' professional development? Yes? No? Stay tuned....

Later this tweet came through:

Excellent slideshow compilation of #YAsaves tweets. Powerful. http://t.co/RLZvVBG

and these:

I should be reading. Instead, I just blogged my response to the @wsj article http://goo.gl/J5Gpf #YAsaves


Persnickety Snark: YA Saves: WSJ thoughts... http://t.co/FaAqrG8 - - - so I dusted off the blog...


RT @maureenjohnson: The @wsj has about 20 comments. Here are our 15,000+. http://dft.ba/ /-yasavestweets #YAsaves


RT @melissa_marr: RT @lbschool: "And here is an awesome response to the @WSJ article. Preach it! http://fb.me/CnxI0XGW " oh, YES #YASaves!


The beauty of YA is that it’s filled with books & authors who are not afraid to tell the truth to teens #YAsaves - http://wp.me/pIc5A-5lr

http://on.wsj.com/kctOKS Here is a link wherein you can see the comments to the @wsj article. Thanks, @ColleenLindsay! #YASaves
Death. Loss. Pain. Anguish. Joy. Love. Sex. Freedom. Growth. Wonder. Sorrow. Bliss... disguised as "kids' stuff." #YAsaves

(To find the originals, go to the #YAsaves hashtag on Twitter).
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