Saturday, November 19, 2011

A Writer's Perspective By Dark Series Author Kathryn Meyer Griffith

Kathryn Meyer Griffith 
Why I Wrote A Time of Demons (First book of the Before The End series) By Kathryn Meyer Griffith.

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Around 2003 or so, as many times before in my roller coaster thirty-nine year long writing career, I had about given up. Again. I had eleven published novels (mostly romantic horror and horror) and six short stories to my name between 1984 and 2003 with Leisure, Zebra, and Avalon Books. 


In 2003 I’d had a dark murder mystery called Scraps of Paper from Avalon Books come out, had finished the second All Things Slip Away in the series for them. I was proud of the mysteries and the books themselves. The two had fairly decent, but mundane covers, and were hardcovers…my first.  I believed the novels were my best so far. Contemporary and simple, but people loved the characters and the quirky town they lived in I’d tongue-in-cheek called Spooky.

BOOK PRICING AND HARD LESSONS LEARNED
The price was steep, I thought though, at $26 dollars each. But I’d already seen the writing on the wall. I’d gotten a $1,000 advance for each but there was this sneaky little clause in their contracts I’d learned that said I would not see a dime more of royalties until 3,500 books were sold. That alone would probably keep me from seeing any more money – unless the books were run away hits and more would be printed, or other rights would be sold. That rarely happened I’d been told by other authors for they only printed about 1,750 units at a time and that meant it would have to go into a third printing to gain me anything else. And Avalon didn’t usually go after outside subsidiary rights of any kind. Of course, over the years, though both books have had great reviews, A’s really, neither book has gone into a third printing. Oh, well. As warned, I haven’t seen another penny though the novels still seem to be on sale everywhere. Everyone loves them and wants a third. No way. I’ll wait until my long ten year contracts are up before I write another Spooky town mystery for Avalon Books. You live and learn. It seems like over my career I’ve had a lot of such lessons to learn. Ha.


MOVING ON TOWARD NEW ADVENTURES

Anyways, I’d missed my horror genre so much and had been thinking for a while about this new book of mine. Oh, okay, yes, I said I was ready to throw the towel in…but stupid me, I never do. When will I learn? It all started with a tiny seed. Two characters. Siblings. These characters, a loving brother and sister, Cassandra and Johnny Graystone, would be nightclub playing musicians who’d lost their whole family (five brothers and sisters and a mother and father) twenty years before and in the present would be living with and taking care of their elderly aunt and uncle. The aunt would have Alzheimer’s and the uncle, age catching up with him, would be frail, as well. They’d be Catholic. As I’d been raised. The uncle would believe the end days had come. Cassandra would be happy with her life singing out with her brother and living with her sick aunt and uncle. Until…she’d begin to know when people were going to die and she’d begin seeing these hideous creatures – demons–hiding behind some of her human audiences’ faces; bad things would start to happen around her, and she’d think either she was going insane or something terrible was happening to the world. 


Turns out her uncle was right. The end days had come.  I saw demons and angels swirling around her that only, at first, she would see. Then I saw her with a glowing sword that she’d use in battles with other human soldiers of her kind she’d meet along the way fighting a growing horde of demons. The apocalypse not far behind. 


Ah, it would be an apocalyptic novel. That’s it. But one with heart; characters you could root for and love, more a layman’s view of the biblical end-of-days, and not near as much preaching as The Left Behind series which I’d read years before and liked. 


Since I’ve always wanted to write an end-of-days novel –I’d loved Stephen King’s THE STAND so much– the story had taken firm root and wouldn’t leave me alone until I started writing it. I had to. It would be my masterpiece! The book called to me that strongly.


The woman eventually discovers she is one of many who will have powers to see and fight demons, with the help of angels, as the end days draw near. She must seek out others like herself and convince them to join the fight. She must begin to battle the powerful evil entities she alone is aware of, as well. In the process I send her, her brother, aunt and uncle, and their friends, on a rousing but dangerous quest across the country in a RV…after tornadoes and demons destroy their homes. The world is falling apart around them.  Catastrophic earthquakes, tornados and hurricanes are everywhere. A rise in terrible human crimes…most caused by demons or demonic influences. But I tried to make it a story of family and human love as well as a survival story in the face of overwhelming odds as the world spins to its end. 


A LESSON FROM DISAPPOINTMENT:
Many agents, editors and publishers turned it down. Too religious. Not religious enough. Not enough this, not enough that. .. I wasn’t a big enough writer. How dare I write something on such a huge religious scale. Oh, no, you have angels in it? Oh, no, you have demons in it! Whatever. But I believed so much in the book I didn’t give up. I kept sending it out.



THEN? SUCCESS!
In 2010 I finally sold it to Kim Richards at Damnation Books, her brand new publishing company (and now she also owns Eternal Press and Realms of Fantasy Magazine). She read and loved it. She got it. By then I’d also finished another horror novel, more a romantic horror tale about a witchy vampiress resurrected from her Civil War era tomb and now haunting her old home, an atmospheric lovely  bed and breakfast run in the present by a loving husband and wife. The wife has to fight to save her husband’s life when the vampiress believes he’s her reincarnated soldier/lover from the Civil War days and tries to take him back for her own. A real eternal love story. A dangerous love triangle. Of course dead drained corpses show up all over the place. I called that book 



The Woman in Crimson. Kim loved and contracted both of them. 
An editor, Lisa Jackson, helped me polish up A Time of Demons until it shone and Annie Melton created a striking, scary, cover in vivid scarlets with the two main characters at their microphones and a demon-hiding-behind-its-human face customer at a nearby table. 


So that’s how the BEFORE THE END: A Time of Demons was given life. Hopefully, in the next few years I’ll write the second novel in the series…when I get all my old Leisure and Zebra paperback books (going back to 1984) all rewritten and out again between June 2010 and July 2012. Kim offered to reissue all ten of them, revised and with astonishingly striking new covers, and I couldn’t say no.  It’s been a heck of a lot of work, but a labor of love. What writer wouldn’t want a second chance to make an old book a better one and have it rereleased all over again? Not me, for sure. Grin.


WINNER OF AN AWARD!
And A time of Demons? Since its release last May it’s gotten fantastic reviews (see there all you naysayers!) and has even won the She Never Slept’s 2010 Nightmare Award, as one of the three best romantic horror books they’d read in all of 2010. Yeah! Now if more people would give it a try, a read, I’m hopeful they’d like it, as well. It’s far more than a simple horror or religious parable…it’s a family and earthly human saga. All I can do is pray, hope…and promote, promote, promote! 


I’ll never give up. How can I? It’s my masterpiece. As my mom used to say, winners never quit and losers never win. And me, I’m not a quitter. Or I try not to be. Sometimes the crazy book/publishing world can drive me plumb nuts. But I always get over it. Grin.


So thank you all for letting me ramble on and on…warmly, author Kathryn Meyer Griffith 


Click here to see MORE of my book trailers with original music by my singer/songwriter brother JS Meyer.





Saturday, November 5, 2011

Guest Post: "Soldiers Of The Night" ... by Tom Olbert

Vampire Review is very please to introduce Tom Olbert as the guest author today. Please check out his books on Amazon.

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SOLDIERS OF THE NIGHT by Tom Olbert


Vampires.  How they fascinate us.

Vampires have evolved through thousands of years of mythology spanning many cultures.  For audiences here in the states, our concept of vampirism is based on east European folklore as introduced to us by Bram Stoker.  His immortal Dracula was both beguiling seducer and predator.  A seductive evil that, for Stoker at least, represented an old world pagan culture that simply had to be destroyed by the enlightenment of Christianity.

As our society has changed since Stoker’s time, the vampire has evolved from villain to anti-hero.  Symbolizing perhaps the restless spirit of man at war with his animal side, our fear of death and our dark, secret longings all rolled into one, the vampire has become a brooding, tragic figure longing for restored humanity and pursuing it like a holy grail.  (Remember Barnabas Collins, or Nicholas Knight?)

The vampires of contemporary fiction (Twilight, Vampire Diaries, etc.) are young, lusty, passionately romantic figures.  Some still brooding and tragic, but nonetheless damned hot-blooded.  The vampire/human romance depicted in Twilight represents the primal mystery of sex from a virgin’s eye view.  Vampire Diaries takes a darker, more adult view and delves more deeply into the twisted labyrinth of passion and self-discovery.

In my vampire novelette “Unholy Alliance,” I chose to present vampirism against the backdrop of real-world human evil and violence, amid the loneliness and alienation it breeds.  The vampire seemed a natural product of and foil against that kind of evil.  The story is a dark paranormal contemporary urban fantasy.  Its protagonists are homeless teens fighting to survive in city streets run by pimps and dealers.  It’s the story of Chris, a young vampire hunter who goes rogue, abandoning the simple concepts of right and wrong he was raised with when he falls in love with Sara, a vampire.  Both of them are orphans trapped in a dark, lonely existence.  Chris’s only family members were killed by vampires when he was five.  He has been raised (and exploited) by cruel, brutal vampire hunters ever since.  His life has consisted of killing vampires and robbing crack houses to live.  Sara’s parents died in a Nazi concentration camp when she was fifteen.  Turned by vampires, her life for the past seventy years has been only the hunt and the blood, the sadistic tyranny of her vampire lord and the constant pursuit of the hunters.  All of the kids in Chris’s group and Sara’s are outcasts, either ripped from the lives they had or discarded.  Some are just killing angry and out for revenge.  Others dare to hope for at least a glimpse of love.

When their self-serving masters die in battle, these kids find themselves on their own for the first time, and decide they’re tired of endlessly giving to a cold world that gives nothing back.  Human and vampire unite in taking down some very human bloodsuckers who use kids as sex slaves.  There’s no road out of the darkness for any of them, but love gives them a reason to go on.

“Unholy Alliance” is available from Eternal Press and as paperback or Kindle at Amazon.com






Wednesday, November 2, 2011

Raising An Old Horror Movie From The Dead: "The Thing"

The Thing (a 1982 movie) starring Kurt Russell, Wilford Brimley (now deceased) and Keith David (among other highly talented actors) is just the sort of movie every horror fan should see at least once. It received nominations from the Academy of Science Fiction, Fantasy and Horror Films for Best Horror Film and Best Special Effects.
For those blog-fans who don't care about any movie's public acclaim too much, let me just say this film really is creepy thanks to its premise. Certainly the film is rather old now but the animation used at the time it was made was most compelling and advanced for its day. Not only that? But this the story behind "The Thing" is much more creapy than any demon-possession story because instead of the individual surviving a paranormal attack, the human-victim is completely cannibalized (murdered) and the evil alien entity assumes its victim's behaviorisms, looks and professional identity. Survivors do not know who is a cannibalistic alien and who might genuinely still be their friend/coworker.

Here's video footage from the movie, after Kurt Russell's character figures out how they can test blood to determine WHO is still human, or not:

Thursday, October 13, 2011

"UNEXPECTED TERROR" Guest Post by Jake Bannerman

To me, the best horror is when it comes from something you never expected it to come from: for example, the horror I am going to get from Kate when she notices that this is all in capitals. I didn’t notice until I was almost done, and I wasn’t going to start over!
So, unexpected horror – like what, you may ask?

I am going to go over a list of things that in normal everyday life are not scary in the least. However, in the movies, they can be skillfully manipulated in such a way to make all of us piss ourselves with terror.

#1. The radio! Remember in ‘Christine’? “You keep on knocking but you can’t come in…” Argh, fuck that! Or how about in 1408 – of all things, the Carpenters? Karen Carpenter; the woman with the true voice of an angel – and Stephen King turned her into Satan!

#2. Little children. I mean, who is scared of kids? Not me, not in the least bit – I’ll dropkick the little bastards. But the number one example has got to be the two little bitches standing in the hallway in ‘The Shining’. Oh, my fucking leaping Jesus, kill them – kill them with fire! Then there’s the little blond Aryan child from ‘Pet Sematary’ – no, no, no, no! Kill him and the f*@#ing cat as well!

#3. The telephone. Oh, we could do this all day, starting with the original ‘stranger in the house’ calls and working all the way through to the semi-modern ‘Scream’! The opening of the first ‘Scream’ was just about as close to perfection as it gets; hearing her screams and struggles on the other end of the phone line was utterly bone-chilling.

#4. Okay, even the toilet can be frightening! I can think of three superb examples. Stephen King again, firstly – in ‘Dreamcatcher’ when Jason Lee gets the alien enema. Brilliance! Then in ‘The Amityville Horror’ when the toilet fills with blood; that would have been my first sign that something was wrong, surely! Last, but most definitely not least is ‘Crocodile’, when the giant crocodile comes out of the sewer and smashes through the toilet. Awesome!

Okay, well, that’s about as much fun as I can stand for today! Thanks, all of you, for reading my post. J. (Jake Bannerman)

Monday, October 10, 2011

Review Of "Mutant Vampire Zombies from the 'Hood!"

"Mutant Vampire Zombies from the 'Hood!" (2008) proves  way too sexually violent for me to recommend it to most viewers. Not only do men and women both get raped, but they might be missing limbs when the violent sexual crimes take place.  In one scenario? An almost fully-clothed zombie is having sex with a dismembered head ... From my own narrow point of view, I had to wonder:  "what sort of deviant mutant wrote this crap?"

BEYOND THE DRAWBACKS: This film has great zombie action in it, and while the dialogue is severely lacking  (i.e., "f*@#" is spoken every few words) and none of the zombie-characters look or behave even remotely like vampires (so putting "vampire" in the title makes no sense) the redeeming value from this movie is all about the fast action. I for one viewer, leapt out of my seat twice while watching, thanks to the element of surprise.  For example:  a cop is trying to make a getaway and suddenly a zombie appears from behind to nab him. The fright aspects affected me with HILARIOUS glee.

I also enjoyed the light-hearted humor presented throughout the full length of this film. For example, in one scene? An angry zombie flies in through window, grabs a woman, says "HUNGRY." She replies with: "Eat this" and blows the zombie head off with her oozie. Then? She turns from the zombie brains that are now spread on the distant wall and says: "Sorry about the mess dad."

If you've ever wanted to kick zombie butt? This might be your movie because there's LOTS OF THAT going on. It's what made the movie worth watching, to me.

RIDICULOUS SCENARIOS:
1. What the heck. Zombies rip off a woman's arm and THEN her dress (she runs screaming naked like a kid who stepped on a hornet's nest)! *SEE PHOTO*

2. Why does one cop carry 7+ identical hand-guns in the trunk of his car? Because this is "Mutant Vampire Zombies from the 'Hood!" That's why!

3. Female doctor Lisa plans to save the world by requiring all survivors to "make babies." Any intelligent viewer  is going to consider the backdrop in this movie and ask "For what? Zombie food?"

4. This flick suggests that watching zombies trying to get inside the white metal fence, with blood slathered all over that protective barrier, is a highly romantic scenario. It's presented as though couples are watching the stars and listening to Barry Manilow when they're hearing cannibalistic grunts and groans that stimulate their sexual appetites. Dialogue is: "This could be our last night on earth."

5. After the solar flares turn humans into zombies (think: cops and gangstah's fainting everywhere to disco-like lights flashing outside) fuel will no longer combust so vehicles don't work. Hurray for the electric car, which doesn't make sense, scientifically, because in the real world solar flares often impact electrical systems first. Meanwhile? In this movie, the electric car works when no other vehicles will run.

6. Dr. "Lisa" who admits she only has ONE clip for her machine gun sure knows how to waste bullets (unloading the entire enterage) while shooting a small group of zombies at the base of the stairs.

FASCINATING AND NOT ANTICIPATED SCENARIOS
* Zombies mutate rapidly so shooting them in the head suddenly no longer kills them.

* Zombies have become gigantic on a rapid scale, which creates a lot of suspense in this movie, and when the zombies pick up the escape-car it's suddenly apparent that nobody's going ANYWHERE, it's a hilarious surprise for the viewer!

DIALOGUE FROM THIS MOVIE


  • "The world changed last night cop. There's a whole new bad guy on the street." Spoken by gangster member to last living police officer.

  • "Blood sucking-mother-f*$#ers" says the head gangsta-dude.  "Succinctly put. Yes." Replies the scientist.

  • "We've got a regular Bruce Lee with us," says cop after observing heroic behavior by a gangster member.  "Whose Bruce Lee?" that gangster-hero asks.

  • "Who the F*@# are you mother-f*$#er" ... "I'm Wexler, mother-f*$#er" (typical dialogue found in "Mutant Vampire Zombies From The Hood")

  • "Oh hell no! I aint giving my johnson to no zombie bitch"

  • "Man! If the whole world is like this? Then I'm moving to Mars baby."

  • "Everything might be gone but you still got your woman. To me, that's lucky," (says cop to lead gangster).




  • Thursday, October 6, 2011

    Review Of French Horror "The Horde" {Fast Paced Zombie Flick}

    Even though this foreign film is subtitled - the action, suspense, and hilarious-sort of "horror" make it a worth-see, in my opinion.  "The Horde" (2009 flick) features an end-of-world battle between cops, gangsters and zombies. Naturally the cops hate the gansters and visa-versa but the zombies hate (and wanna eat) EVERYBODY. So a bond between human enemies ensues - which makes sense because what's a zombie movie without unlikely allies?

    PARENTAL CAUTIONS:
    This movie is very violent. There's lots of testosterone-laden posturing, with profanity spelled out (thanks to subtitles). In one scene, a female-zombie's breasts are exposed and a fat and dirty old man suggests having sex with her corpse. The only token female in this film acts very much like an emotionally diminished hateful b*tch who runs around with her nipples showing through her skimpy shirt. This m
    ovie promotes cocaine use as a physical enhancing asset. 


    THE MOVIE:Worth seeing for the zombie action and great make-up, this movie begins with bunch of dudes running around in ski masks carrying machine guns. It's not really clear what's going on at first but really cool suspenseful music plays in the background when a fat guy in a stained T-shirts comes out of his condemned building to order loiterers to push off.




    OTHER FASCINATING DETAILS:
    When a human is turning zombie, the transition is visible through the skin. 
    ZOMBIES growl and walk jerkily like their neurological systems are NOT fully functional. In contrast? Those same zombies can also run at heroic speed.


    GREAT DIALOGUE
    ‎"Gotta chop your leg off." (Spoken casually by a pick-axe wielding nut-job for a fat old man) "What?" (Asks the gangster in a suit, but he soon realizes the old fart isn't joking). 


    EXCELLENT MAKE-UP
    When someone gets beat-up, their face really shows it and the zombies are rather believable with their rotting flesh as well.


    SCENES WORTH WATCHING OVER AND OVER AGAIN
    1.  The female cop ends up alone and she's kidney-punching a female zombie. This scene is really AWESOME.  The cop begins slamming that female zombie's head repeatedly inside the cupboard door.  I cannot tell you how many times I rewound the movie for the replay. I had so much fun seeing the female cop just easily flip over a full-size refrigerator on top of the zombie too.  (It's so ridiculous it's amusing.)

    2. Gangsta-in-3-piece-suit is repeatedly stabbing a zombie over and over and looks to the ceiling as though in orgasm. WTHeck? 

    3.   Multiple scenes with head-butting and punching zombies ninja-style. There's also a scene where the heros cannot hold the door shut when ZOMBIES are pushing from the other side.


    4. I kept rewinding to watch a very detailed scene where a zombie's head explodes (by machine gun blast) and it looks like a jar of jelly was smashed against the distant wall.



    STUPID PARTS:
    What's wrong w/this picture? Smallest person-female-is the one keeping the injured dude mobile while the big males all carry small handguns.

    Gangsta's snort cocaine when zombies have taken over the world as though nobody should be keeping their wits about them to survive. 



    Gansta shoves handgun in cops face then turns it around when the cop doesn't flinch (hands it to him). Partners now. 


    Brave gangsta goes to investigate certain zombie growls when the room their groanings come from is full of flashing lights and the hero gets yanked off his feet ... hangs onto the lower part of the doorway while zombies eat his lower half.

    Sunday, October 2, 2011

    Hello!

    Now if someone can just tell me where term 3 went....

    Stuff did happen (oh my goodness yes) but not so much on Skerricks.  For assorted reasons.  But I haven't forgotten you, and plan to do more in Term 4.

    I have been working with lots of teachers and classes - that's been fun.  And the school now has a Plagiarism and Ethical Use of Information Policy (more later on that) which is launching into its initial implementation this term.

    This week in the hols I'm at the ASLA XXII conference at St Ignatius this week, learning lots and looking forward to presenting on Tuesday (my topic is Re-imagining your school library - do come and say hello if you're at the conference).

    Hope you're enjoying your hols.  I plan to do more here on Skerricks next term.  Really.  I promise.

    Cheers

    Ruth
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